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German Aesthetics establishes for English-speaking audiences the fundamental concepts of the German aesthetics from roughly 1750-1970. Written in a clear and lucid style, each entry serves as both creative interpretations of the German aesthetic tradition, useful to researchers, and introductions and summaries, helpful preparation for classroom discussion. To achieve this combination of specialization and accessibility, the volume brings together a wide array of experts from the fields of German literature, aesthetics and philosophy, scholars in German studies, film studies, and history.